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CURATE THIS! 2010

A Global Exhibition of Emerging Contemporary Art + Design | An Experimental, Cross-Pollination of New Ideas for Progress + Possibility January 1, 2010 – CURATE THIS! 2010, the second chapter in the evolution of the CURATE THIS! exhibition series created by BECA: Bridge for Emerging Contemporary Art, is evolving from a one city-wide event location  Full Article…

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TRANSLOCATION NEW EXHIBITION

Deconstructing the hidden narratives of the local, a group of artists in residence from Turkey, Germany and the UK present a series of alternative perspectives on the culture, ecology and politics of the city and its surroundings.Mehmet Dere (derece.bl…

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“Batman Batman’a Karşı”@ OUTLET


Fikret Atay’ın Türkiye’deki ilk kişisel sergisi 22 Ekim’de Outlet//İhraç Fazlası Sanat’ta açılıyor! Sergide sanatçının iki yeni videosunun dünya prömiyeri yapılacak.

Daha önce Bonner Kunstverein(Almanya), Site Gallery(İngiltere), Maison de l’Architecture(Fransa), Index(İsveç), Buro Freidrich(Almanya) gibi dünyanın önde gelen sanat merkezlerinde kişisel sergiler gerçekleştiren Fikret Atay, Türkiye’de ilk defa bir kişisel sergi hazırlıyor. Sanatçının sergide 2009 yılı içinde ürettiği “Batman Batman’a Karşı” ve “Gooaall!” isimli iki yeni çalışmasının yanısıra, “Fuck Tic”, “Spring Fever”, “Holiwutt” gibi klasikleşmiş çalışmaları da Türkiyeli izleyiciyle buluşacak. Sergiyle eş zamanlı olarak gerçekleştirilecek Lyon Bienali’ne “Teorisyenler” isimli video çalışmasıyla katılacak olan Atay, Aralık ayında ise İskenderiye Bienali’nde yer alacak. Sanatçının son çalışmalarından olan “Gooalll” bienalde, ilk kez uluslararası izleyiciyle buluşacak.

FIKRET ATAY’ın video çalışmaları, kurduğu kültürel, sosyal ve coğrafi bağlantılar ile memleket meselelerine göndermeler yapar. Sanatçı çalışmalarında, batı etkisinde yaşanan geleneksel hayatın izini sürer. Çok genç yaşta, dünyada en çok tanınan Türkiyeli sanatçılardan biri olması, yerel görünen bir konunun evrensel boyutlarını keşfetmesinde ve bunları göstermeyi bilmesinde yatar.

“Batman Batman’a Karşı” videosunda Atay, Batman çizgi karakteri ve Batman şehri arasındaki komik ses benzerliğinin farkına varılarak dava açılmasıyla ilgileniyor. Dünyada ciddiye alınmayan bu olayın üzerine giderek, meseleyi tam da Batman filmlerinde görülebilecek polisiye-süper kahramanlık hikayesine dönüştürüyor. Batman şehrinin belediye başkanı neredeyse Batman’e dönüşüyor. Belgesele yaklaşan araştırması ve Batman filminden küçük fragmanlarla desteklenen video çalışma, cüretkar bir yer değiştirme oyununu izleyiciyle paylaşıyor.

“Gooaall” çalışmasında ise sanatçı, merkeze modernitenin simgesi asfalt yolları koyuyor. Ve çocukların farkında olarak ya da olmadan modernizmi deneyimlemelerini, çıplak ayaklarıyla futbol oynamaları üzerinden anlatıyor. Geçmişle gelecek, merkezle periferi asfalt yol üzerinde karşılaşıyor. Yaşlı adamın çığlığı, Maradona’nın çığlığına karışıyor ve boş kaleye gol atılıyor. Aslında kale, onu izleyenler tarafından doldurulmuş durumda. Yaşlı adam ise onu izleyenlere gol atmaktadır.

1976 yılında Batman’da doğan Atay, 2003′ten bu yana Paris ve Batman’da yaşamaktadır. Yapıtlarında semboller, sembollerin kodları, kimlik kavramının coğrafya ve tarih ile ilişkisi üzerinde yoğunlaşan sanatçı, son dönemde kişisel sorumluluk çerçevesinde zaman ve mekânın temsiliyle ilgilenmektedir. Sanatçının çalışmaları; Tate Modern başta olmak üzere FRAC, MUSAC, Museé d’Art Contemporain de Montreal, Museé du Luxembourg gibi koleksiyonlarda yer almaktadır.

Fikret Atay “Batman Batman’a karşı” sergisi 22 Ekim’den 26 Kasım’a dek Salı’dan Cumartesi’ye 10.00-18.30 saatleri arasında Outlet//İhraç Fazlası Sanat ‘ta görülebilir.

OUTLET HAKKINDA
Outlet, sosyal ve kültürel adaletsizliğin bunca derinleştiği bir ortam/zamanda, lüks olarak görülen sanatı, kitlelerle buluşturma girişimidir. Outlet; müzeler, enstitüler, banka galerileri, kurumlar arasında giderek sıkışan sanat ortamı için bir nefes alma alanı yaratmayı ve yenilikçi, risk alabilen projeler gerçekleştirmeyi hedefler.
Sanatın gündemini takip etmek isteyenlerin yeni adresi Outlet; Canan Pak, AYK, MAS Matbaası, BenQ, The Point Otel, Beck’s, Coca Cola, Netcopy Center ve Derin Design’ın sponsorluğuyla Azra Tüzünoğlu tarafından yürütülmektedir.

Outlet Proje Alanı: Sanatçıların özgün/farklı çalışmalarına ev sahipliği yapmak, yeni projeler üretmeyi desteklemek amacını taşır. Türkiye’den ve dünyadan sanatçıların davet edilmesi ve/ya başvurularla şekillenen proje alanı; Outlet’te aynı anda birbiriyle ilintili farklı sergiler görmeyi mümkün kılar.

ZAMAN:
Açılış: 22 Ekim 18.30-20.30
Sergi: 22 Ekim – 26 Kasım
Ziyaret saatleri: Salı-Cumartesi 10.00 – 18.30

MEKAN:
Outlet//İhraç Fazlası Sanat Galerisi
Boğazkesen Cad.
Kadirler Yokuşu No:69
Tophane-İstanbul

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“Batman vs. Batman”

Outlet//Independent Art Space presents the first solo show in Turkey of the internationally known artist Fikret Atay! The artist will premiere two video works for the Istanbul audience.

Fikret Atay has had solo exhibitions at prestigious venues such as Bonner Kunstverein (Germany), Site Gallery (UK), Hammer Museum (USA), Maison de l’Architecture (France), Index (Sweden), Büro Friedrich (Germany). The exhibition brings together the recent works “Batman vs. Batman” and “Gooaall!!”, both produced in 2009. Added to these are a selection of already classic works including “Fuck Tic”, “Spring Fever” and “Holiwuut”. Atay, who presents his video work entitled “Theorists” at the ongoing 10th Lyon Biennial, will also participate at the Alexandria Biennial this December, where one of his recent works “Goaall” will reach the international audience for the first time.

In his videos, FIKRET ATAY makes reference to “country matters” through cultural, social and geographical connections. His work is involved with traditional lifestyles which are marked by Western influences. As a Turkish artist who has gained worldwide acclaim at an early age, his success is rooted in his ability to discover the universal aspects of supposedly local concerns and his ability to reflect on these.

In his “Batman vs. Batman” video, Atay depicts the comical homonymy between the city of Batman and the superhero figure as a contention that is taken seriously by local authorities and which leads to a lawsuit. Whereas internationally the case wasn’t taken seriously or derided, Atay turns the event into a superhero story, similar to the genre of the Batman movies. The mayor of Batman mutates virtually into “The Dark Knight”. Atay’s documentary style inquiry is meshed with snippets of the Batman series, thus involving the audience in a spirited and playful displacement.

In the video “Goaall” the artist deals with the asphalt roads which are prime symbols of modernism. He depicts children experiencing modernism, consciously or not, as they play football barefoot on the asphalt road where past meets future and centre meets periphery. The old man scores in the empty net. Actually the net is kept by the viewers. He scores against the centre.

Born in Batman in 1976, Atay lives and works in Paris and Batman since 2003. The artist, who focuses on symbols, codes of symbols as well as the relationship between the concepts of identity and geography as well history, got interested recently by the representation of time and space within the framework of personal responsibility. Fikret Atay’s work is held in major public collections including FRAC, MUSAC, Musée d’Art Contemporain de Montreal and the Museé du Luxembourg.

The exhibition “Batman vs. Batman” can be seen from October, 22 to November, 26 between Tuesdays and Saturdays from 10.00 to 18.30.

ABOUT OUTLET

Outlet is a venture to bring art, regarded as a luxury commodity, to the masses, in a time and space where social and cultural inequity is ever more deeply entrenched. Outlet hopes to provide an innovative and vigorous platform for an artistic context wedged between the city’s many bank galleries, private institutions and museums. Outlet is run by Azra Tüzünoğlu with support of Canan Pak, AYK, Mas Printing, BenQ, Point Hotel, Beck’s, Coca Cola, Net Copy Center and Derin Design.

Outlet Project Room will host distinctive works by artists from Turkey and abroad, as well as helping to support the production of new projects with the desire to intertwine a commercial and a non-profit project space to encourage new attitudes and conversations.

WHEN:

Opening: 22 October 18.30-20.30

Exhibition: 22 October – 26 November

Visiting Hours: Tuesday – Saturday 10.00 – 18.30

WHERE:

Outlet//Independent Art Space

Bogazkesen Cad.

Kadirler Yokuşu No: 69

Tophane-Istanbul

www.outlet-istanbul.org

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“Benim Kentim” Konuk Sanatçı Programı

Türkiye’nin İstanbul dışında diğer kentlerinin ve farkı kültürel yapılarının Avrupa’da tanıtımına olanak sağlamayı ve karşılıklı kültür alışverişini desteklemeyi hedefleyen ”Benim Kentim” projesi, British Council’ın Avrupa Komisyonu Kültürel Köprüler programı kapsamında gerçekleştirilmektedir.

Türkiye ile Avrupa arasındaki kültürel bağları ilerletmeyi planlayan proje kapsamında Avrupa’dan beş saygın ve tecrübeli sanatçı, Türkiye’ye, ülkenin 21. yüzyıldaki kültürel zenginliğini ve çeşitliliğini tecrübe etmek üzere davet edilecek.

Aynı zamanda buna paralel olarak Türkiye’den beş sanatçı da Avrupa’nın ileri gelen kültür kurumlarında konuk sanatçı programlarına katılarak yeni işlerini sergileme olanağı bulacaktır. Berlin, Dortmund, Helsinki, Londra, Varşova ve Viyana’da gerçekleşecek olan programların son başvuru tarihi 21 Ağustos 2009′dur.

Programlara seçilen sanatçılar Eylül ayında gerçekleştirilecek olan 11. İstanbul Bienali sırasında açıklanacaktır.

‘Benim Kentim”, Avrupa Komisyonu tarafından desteklenmektedir ve Anadolu Kültür, Platform Garanti Güncel Sanat Merkezi ile işbirliği içinde British Council tarafından yürütülmektedir.
Başvuru formlarını buradan indirebilir ya da platform@garanti.com.tr adresinden isteyebilirsiniz.

My City
 European Residencies [MCER]

MCER, is a one-off programme to be realized between 2010 and 2011 for enabling visual artists from Turkey to develop their work in six prominent host institutions across Europe through residencies.

It forms part of My City, a new cultural initiative funded through the European Commission’s Cultural Bridges Programme, designed and run by the British Council in Turkey. The programme’s aim is to establish partnerships between artists and institutions in Turkey and Europe.

The My City programme has two strands: MCER and a programme of activities in Turkey around the theme of art in public space, including seminars, conferences and new commissions. Starting in 2009, five artists from Europe will be invited to Turkey to develop a unique work of public art for a specific city in Turkey. The selected cities are Canakkale, Istanbul, Konya, Mardin and Trabzon. Each of these cities has a unique story to tell and this project will give the artists the opportunity to take part in residencies and show their work at some of Europe’s leading cultural venues. The names of all participants will be announced during the International Istanbul Biennale in September.

My City has been conceived by the British Council together with Anadolu Kultur and Platform Garanti Contemporary Art Center. The project is funded by the European Commission and the British Council.

Goal 

The project goal is to enable visual artists to develop and reflect upon their work in a different European environment and culture. The residency also generates opportunities for making or extending contacts and for exploring and/or developing a new context as well as producing new work.

Who Can Apply?

My City European Residencies [MCER] grants are intended for visual artists. However, artists who are part of a collective or a multi-disciplinary team are also welcome to apply to the MCER.

In addition to work-related criteria, there are a number of conditions applicants must satisfy in order to qualify for a grant. All applicants must be resident in Turkey, and if they are not nationals of Turkey, they must have a valid residence permit. A good command of English and other relevant languages of the place of residence are required.

For precise details of the conditions, applicants are referred to the explanation accompanying the application form. If you require more information please contact: platform@garanti.com.tr.

Selection Process

MCER Applications will be reviewed by a committee of six professionals, including but not limited to curators, who have the experience in international residencies. There will be one representative each from Platform Garanti and the British Council.

The committee will prepare a short-list of three candidates for each institution for which the application was made. The final selection will be made by the European host institutions in consultation with the committee.

Host Institutions

Centre for Contemporary Art
, Ujazdowski Castle, Warsaw
, Poland is the premier interdisciplinary contemporary art centre in Poland and one of the most vibrant art centres in Central and Eastern Europe. The CCA has been supporting, documenting and presenting art since 1989. The audience consists of professionals, artists, students but also people unacquainted with art on an everyday basis.

The a-i-r programme, created in 2002 in the frame of the CCA international activity, is an extension and a complement of the ongoing dialogue between artists from around the world. The small scale of the a-i-r laboratory has allowed for an individual approach to each visiting artist by working in close dialogue with a curator. The CCA is interested in both site-specific projects and further work on projects initiated before arrival. The institution encourages an exchange between artists from different cultures and the local milieu. Publications (artist books, posters, catalogues) created during the residency stays at a-i-r laboratory are of great importance.

Presentations of the visiting artists’ works are incorporated into the CCA’s programme of events in the form of lectures, screenings, discussions, exhibitions and performances. Artists are encouraged to work in public space.

Workrooms are designed both for artists using traditional techniques and for those employing new media. There is a bedroom, a kitchen, a studio and a film workshop equipped with a camera, microports, lighting and editing computers at the disposal of the residents. Furthermore, a-i-r laboratory residents can benefit from the CCA’s technical background, library, reading room and videotheque.

Gasworks: Exhibitions, International Residencies & Studios, London
, UK
Founded in 1994, Gasworks is an art organization located in a three-story Victorian building in South London, between Vauxhall and Oval underground stations. It houses 12 artists’ studios – of which nine are rented by London based artists and three are dedicated to residencies – and offers a programme of exhibitions and events, artists’ residencies, international fellowships and educational projects.

Gasworks focuses on visual arts practice in its broadest sense, working discursively with UK-based and international artists to facilitate the development of their work. Gasworks’ programme is committed to providing a responsive context and to disseminating critical practices to a wider audience. Gasworks is part of the Triangle Arts Trust, an international network of artists and organisations.

As part of the My City programme, one Turkish or Turkey-based artist will be selected for a residency and a solo exhibition at Gasworks in Spring 2010. The residency will take place between 1 April and 30 June 2010, offering the selected artist a studio at Gasworks, accommodation and living expenses. The exhibition will open at the end of the residency, on 25 June 2010 and remain open for seven weeks, until 15 August 2010.

The artist will receive pastoral and curatorial support from both the residencies coordinator and exhibitions curator throughout the period of residency at Gasworks. The exhibition will be the result of a dialogue between the artist and the two curators and is expected to start prior to the residency period.

DAAD, German Academic Exchange Service, Berlin
Dates 3 months in the first half of 2010
The Berliner Künstlerprogramm was found in 1963 by the Ford Foundation as an artist-in-residence programme. In 1965 it was taken over by Deutscher Akademischer Austauschdienst/German Academic Exchange Service (DAAD). As part of the My City programme, the Berliner Künstlerprogramm is offering a three month residency in Berlin in the first half of 2010.

The aim of this programme is to promote an exchange of experience among artists and to foster their involvement with current cultural issues in other countries. Through numerous internal meetings and projects which are carried out in the DAAD Gallery or in cooperation with other cultural institutions, the Berliner Künstlerprogramm aims to establish contacts with local artists and personalities involved in Germany’s cultural life.

With their expertise, the visual arts team of the Künstlerprogramm will support the selected guest artist to realize a project developed during his/her stay in Berlin (for example a new piece, an exhibition, a public work, a publication etc.). In Berlin, the guest artist will have the opportunity to continue his/her work undisturbed and to participate actively in the city’s cultural life.

Visual artists who live and work in Turkey are encouraged to apply. They should be at the beginning of their career or not yet be widely internationally known. The invitation is issued in conjunction with a grant that allows for an adequate standard of living. It also includes a furnished apartment and a production budget. Artists who accept the invitation take up permanent residence in Berlin for the duration of the Berliner Künstlerprogramm grant.

Academy of Fine Arts, Vienna
, Austria
The Academy of Fine Arts Vienna has been a leading European training centre for artists for more than 300 years. The Academy offers a renowned team of professors in the arts and cultural studies department, including Pawel Althamer, Sabeth Buchmann, Martin Beck, Monica Bonvicini, Diedrich Diederichsen, Harun Farocki, Marina Grizinic, Matthias Herrmann, Tom Holert, Dorit Margreiter, Marion van Osten, Daniel Richter, Constanze Ruhm, Amelie von Wulffen, Heimo Zobernig and others. Theory and practice are regarded as necessary for the transdisciplinarity that is a common agenda in the arts and theoretical research. Disciplines such as painting, photography, sculpture, video, digital media, sound, film, conceptual art, performance, art in public space, gender studies, postcolonial studies, philosophy and aesthetic theory, art history are, among others, to be found at the Academy.

As part of the My City programme, this residency provides accommodation in the heart of Vienna, next to the Museumquartier (MQ) and the Academy. The apartment (89m²) has two bedrooms, bathroom and kitchen. The resident will have access to the labs and studios, ranging from drawing, printing and painting to photography, sound, video, digital media, performance and as well as the libraries. The Academy is interested in applicants with a strong international track record.

FRAME, Finnish Fund for Art Exchange, Helsinki

FRAME Finnish Fund for Art Exchange provides services and acts as an expert body in international exchanges relating to the visual arts. FRAME, established in 1992, works within the Finnish Fine Arts Academy Foundation and is primarily funded by the Finnish Ministry of Culture.

FRAME currently collaborates with HIAP (Helsinki International Artist-in-residence Programme) for artists’ residencies. HIAP offers a residency on Suomenlinna island from for a period still to be negotiated from Spring 2010 onwards.

Hartware MedienKunstVerein (HMKV) Dortmund & Kuenstlerhaus Dortmund, Germany
As part of the MyCity programme, one Turkish or Turkey-based artist will be selected for a residency at Kuenstlerhaus Dortmund in spring 2010. The residency will take place between 1 April and 30 June 2010, offering the selected artist a studio at Kuenstlerhaus Dortmund, accommodation and living expenses. The residency takes place in the context of the European Capital of Culture RUHR.2010.

Hartware MedienKunstVerein and Kuenstlerhaus Dortmund are inviting visual artists exploring the artistic, creative and critical potentials of digital and electronic media to apply for the residency. However, media art is not understood as a technical genre. Rather, it is the topical and conceptual discussion of our contemporary world based increasingly on media and technological structures that makes for the contemporaneity of media art.

Hartware MedienKunstVerein (HMKV)
Founded in 1996 in Dortmund, Hartware MedienKunstVerein (HMKV) serves as a platform for the production, presentation, mediation and contextualisation of contemporary and experimental media art. Since 1996 HMKV has realized over 70 exhibitions, film and video programs, workshops, lectures, symposia, performance programs and conferences at various venues in Dortmund (currently in the PHOENIX Halle, a spectacular 1895 factory hall measuring 2.200 square meters belonging to the giant former steel production plant of hoenix-West) as well as in other cities in Germany and abroad. Among the 40 exhibitions of the last thirteen years there were seminal projects such as „Reservate der Sehnsucht“ (1998), games. Computer games by artists“ (2003), „History Will Repeat Itself“ (2007/2008) and „Anna Kournikova … Art in the Age of Intellectual Property“ (2008). Through its strong commitment to the field of media art over the past decade HMKV has developed into a unique institution in Germany. HMKV’s exhibitions are characterised by their broad definition of media art and by positioning media art in the context of contemporary art. HMKV’s activities have received international recognition. In 2007 and 2008 HMKV has been nominated for the ADKV-ART COLOGNE Award for Art Associations. HMKV hosts since 2000 the grant program of the State of North Rhine Westphalia (NRW) for media artists (f) from NRW. Since 2006 HMKV functions as the branch office of Medienwerk NRW which will host the International Symposium on Electronic Arts (ISEA) RUHR 2010.

Künstlerhaus Dortmund
Since 1983 the artists’ organization Künstlerhaus Dortmund has been a non-profit space for contemporary and experimental arts. It is a place for all kinds of contemporary visual arts: Painting, sculpture, graphic as well as photography, film, video, installation and new
media. This spectrum can be found in the working fields of the members as well as in the group exhibitions, organized by the members exclusively for artists who are not members of the Künstlerhaus. By focusing on contemporary and experimental art, especially young, not
yet established artists are supported. In this way, the Künstlerhaus enriches the cultural scene of the city of Dortmund – consisting of museums and galleries with their economic interests, featuring mainly solo exhibitions – in a unique way. The Künstlerhaus creates free space for arts, offers optimal working conditions for artists from Germany and abroad and attempts to reach the interested public through direct and personal mediation. The Künstlerhaus frequently serves as a workstation for international guests to realize new and site-specific work. The interdisciplinary orientation of the Künstlerhaus Dortmund creates a constantly growing network of contacts to various national and international cultural institutions. Since 1993, the association “MeX” for experimental music is a continuous guest in the basement for intermedia and experimental sound projects. In addition, the Künstlerhaus cultivates the contact to the Hartware MedienKunstVerein, also located in Dortmund.



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Accented


Accented aims to develop co-operations in South East Europe (SEE), and the East Mediterranean (EM), North Africa, the Gulf Countries and the United Kingdom with key institutions that focus on artistic research.

The initiative will be administered through a relationship between six institutions that include Platform Garanti CAC (Istanbul, Turkey), Vector Association (Iasi, Romania), Ashkal Alwan (Beirut, Lebanon), Townhouse Gallery (Cairo, Egypt), Delfina Foundation (London, UK) and Spike Island (Bristol, UK).

Creative Collaboration grants will be made available to artists, curators and writers from countries in SEE, EM, the Gulf and the UK. Over a course of two years 20 professionals selected will be offered six to eight-week residencies at one of the participating institutions.

The initiative is open to applicants from the following countries: Albania, Algeria, Bosnia and Herzegovina, Bulgaria, Croatia, Egypt, Greece, Gulf Region, Iran, Iraq, Israel, Jordan, Kosovo, Lebanon, Libya, Macedonia, Morocco, Palestine, Romania, Serbia and Montenegro, Syria, Tunisia, Cyprus, Turkey and the United Kingdom.

Accented is generously supported by the British Council under the Creative Collaboration Project Funds.

Detailed information can be found here
Download the application form from here
For further information please contact:
Oyku Ozsoy: oykuozs@garanti.com.tr

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01.04.09 Oreet Ashery

Please scroll down for the English text

Oreet Ashery
Sabetay Sevi ve Diğer Egolar /
Shabbtai Zvi and Other Alter Egos
Sanatçı Konuşması / Artist Talk
01.04.09 Çarşamba / Wednesday
18:30 / 6.30 pm

http://www.oreetashery.net/

PiST///
Dolapdere Caddesi
Pangaltı Dere Sokak
No 8 A/B/C
Pangaltı 34375
İstanbul TR

pist@pist.org.tr

Londra’da yaşayan sanatçı Oreet Ashery 1 Nisan 2009, Çarşamba günü saat 18:30’da PiST’te çalışmalarıyla ilgili bir konuşma gerçekleştirecek. 27 Mart-7 Nisan tarihleri arasında projeleriyle ilgili araştırma yapmak için İstanbul’da bulunacak ve PiST’in ilk misafir sanatçısı olacak.

Oreet Ashery, farklı medyumlar aracılığıyla interaktif ve performatif sanat etkinlikleri düzenleyen, video, 2 boyutlu isler ureten, obje, metin ve interneti kullanarak çalışan bir sanatçı. Ashery uzun zamandır Musevilik, ırk, cinsiyet ve Arap/Müslüman dünyası üzerine işler üretiyor. İşlerinde sıklıkla farklı karakterlere bürünüyor. Bunlardan bazıları tavşan, siyah adam, Norveçli postacı, şişman çiftçi ve Arap adam karakterleri.

Son olarak Ashery 17. yüzyılda yaşamış Sahte Mesih Sabetay Sevi’yi de performanslarında yeni bir karakter olarak kullanmaya başladı. Oreet Ashery‘nin Sabetay Sevi ve Diğer Egolar* başlıklı konuşması için 1 Nisan, Çarşamba günü saat 18:30’da hepinizi PiST’e bekliyoruz!

*Konuşma İngilizce olacaktır.

———————————

London based artist Oreet Ashery will give a talk* about her work at PiST on April 1st, 2009, Wednesday at 6.30 pm. Ashery is the first artist-in residence at PiST who will stay in Istanbul for her project research.

Ashery is a context- responsive visual artist working across mediums in interactive performance art events, video, 2-D image making, objects, text and the internet. Ashery’s practice looks at personal politics and its complex relationship to social and political realities, notions of identity and subjectivity, and at the nature of what an art practice might be.
Ashery has an ongoing interest in the intersections between Jewishness, race, gender and the Arab and Muslim world. The project Welcome Home that started in 2004 is an investigation into the Palestinian Right to Return and other projects within an anti-Occupation remit.
Frequently Ashery will produce work as a character. Her characters include a rabbit, a black man, a Norwegian postman, a fat farmer and an Arab man, among others. Marcus Fisher, an orthodox Jewish man is Ashery’s most consistent character. Recently Ashery developed a new character based on the controversial 17th century false messiah Shabbtai Zvi. Throughout his life Shabbtai conducted a series of ‘Strange Acts’ akin to much performance work, like walking with a fish dressed in baby clothes in a pram, he converted from Judaism to Islam later on in life.

Ashery’s work has been shown extensively in the UK and internationally in museums, galleries, cinemas, biennials, festivals and site-specific locations. Most recently at the: ZKM | Tate Modern, Akademie der Künste, Berlin, Brooklyn Museum, Pompidou Centre, Liverpool Biennial, EDS Gallery, Mexico City, Freud museum, OK Centre for Contemporary Art, Linz.

Ashery’s work has been published and discussed in numerous books, academic and art publications in many languages including: Bidoun, Frieze, Art Monthly, Art Forum, Contemporary, Time Out, the Village Voice, Circa, Flash Art, Dazed & Confused, Map, Heeb, Sleezenation among others. And in books including Art Tomorrow, Art in the Age of Terrorism, Blasphemy and Biographies and Space.

The book Dancing with Men, charting ten years of interactive performance work, published by the Live Art Development Agency and the collaborative graphic novel, the Novel of Nonel and Vovel with the artist Larissa Sansour, published by Charta, will be available in Spring 2009.

Ashery has been given public talks about her works at the ICA, Whitechapel, Gallery, Tate Modern, Royal Academy, Goldsmith College, Chelsea College, to mention a few.

Ashery has been engaged with educational work for years, including public art projects and community based projects, as well as teaching in academic contexts. Ashery currently holds a creative fellowship in Queen Mary University Drama department.

We look forward to seeing you at PiST on Oreet Ashery‘s talk about Shabbtai Zvi and Other Alter Egos. On April 1st, 2009, Wednesday at 6.30 pm.

*The talk will be in English.

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Fatma Çiftçi at Spike Island

Platform Garanti CAC/Visiting Arts Residency Exhibition
Spike Island Project Space
31 January – 15 March 2009
Fatma Çiftçi

Turkish artist Fatma Çiftçi returns to Spike Island after completing a three month residency summer 2008 which has been funded by Visiting Arts.

This residency is an on-going collaboration with Platform Garanti CAC, Istanbul and had previously been awarded to Can Altay. Fatma graduated at Bilkent University Fine Arts Department in Ankara and her work spans photography, video, performance, animation and drawing. This will be her first solo show in the UK .

16 May 2008: Second Spike Island artist selected
26 February 2008: Spike Island Production Residency ‘08 in the UK in partnership with Platform Garanti
5 February 2007: Can Altay, First Spike Island artist exhibition

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