http://www.cagdassanat.com V1.3 beta /// deneme asamasinda /// Sun, 13 Jun 2010 10:28:24 +0000 http://wordpress.org/?v=2.9.2 en hourly 1 http://pist-org.blogspot.com/2009_09_01_archive.html#3030605748599799152 http://pist-org.blogspot.com/2009_09_01_archive.html#3030605748599799152#comments Wed, 09 Sep 2009 18:12:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-3030605748599799152


















TRANSIT II

Danilo Correale, Didem Ozbek & Osman Bozkurt
09.09.2009 - 09.11.2009
Wed - Sat
3 pm - 7 pm

Curated by Pelin Uran, Adriana Rispoli and Eugenio Viola

Opening: 09.09.09 Wed 9 pm - 1 am
Performance: The Istanbul Symphony, Danilo Correale, 9.30 pm - 10 pm
After Party: Kupa Beerhouse (Opposite PiST///)

PiST///
Dolapdere Caddesi
Pangalti Dere Sokak
No 8A/B/C
Pangalti 34375
Istanbul TR

www.pist.org.tr
www.pist-org.blogspot.com
pist@pist.org.tr

From September 9th to November 9th, 2009 PiST/// Interdisciplinary Project Space presents the exhibition TRANSIT II by Danilo Correale, Didem Ozbek & Osman Bozkurt. TRANSIT II investigates one of the defining issues of today such as amnesia in relation to the recent past and the movement of the immigrant, which according to Homi Bhabha changes the history of a nation. By concentrating on the forgotten history of a small district called Pangalti in Istanbul, Didem Ozbek & Osman Bozkurt implicitly makes the presence of the Italian / European community once visible within the Ottoman Empire and early Republic of Turkey. Danilo Correale, on the other hand, has concentrated his research on the production of handcrafted cymbals in Istanbul which was manufactured by Armenian community since the Ottoman Empire.

While The Istanbul Symphony by Danilo Correale will be preformed on September 9th, 2009 at 9.30 pm at PiST///; Grand rue Pancaldi, a daily performance by Didem Ozbek & Osman Bozkurt will take place at NAPOLI Grocery Store until November 9th, 2009.

Daily Performance: Grand rue Pancaldi
by Didem Ozbek & Osman Bozkurt
09.09.09 - 09.11.09
Mon-Fri 07:30 m - 06:30 pm
Sat 07:30 am - 02:00 pm

NAPOLi
Abide-i Hurriyet Caddesi
Izzet Pasa Sokak
No 8A Osmanbey
Istanbul TR
(NAPOLI Grocery is walking distance to Ferikoy Greek School and PiST///)

With the generous support of Barbaros Çağa and Museo MADRE / Naples
PiST/// thanks to LG Electronics Turkey, Istanbul Agop Cymbals, Italian Workers' Association of Istanbul, and NAPOLI Grocery Store.

]]> http://www.cagdassanat.com/2009/09/transit-ii/feed/ 0 http://pist-org.blogspot.com/2009_09_01_archive.html#879417683763584758 http://pist-org.blogspot.com/2009_09_01_archive.html#879417683763584758#comments Tue, 08 Sep 2009 20:34:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-879417683763584758



















Anamnesis 2
Gölge, Mahalle, Oyun / Shadow, Neighbourhood, Play
DVD + Kitap Tanıtımı / DVD + Book Launch
Limited Edition of 50 / 15 TL
www.anamnesist.info

02.10.09 Cu / Fri 19:00 - 21:00

PiST///
Dolapdere Caddesi
Pangaltı Dere Sokak
No 8A/B/C
Pangaltiı 34375
İstanbul TR

pist@pist.org.tr

Maya Ersan tarafından obje üretimi ve performans süreçlerini kapsayan bir proje olarak geliştirilen Anamnesis, Senem Sinem, Kadir Yardımcı, Alev Ersan ve Ahmet Doğu İpek'in katılımıyla hafıza ve hafızanın işleyişinden yola çıkan bir ortak üretim alanı oluşturdu. Anamnesis projesinin ilk üretimi olan tek gecelik gölge oyunu performansı 24 Eylül 2008 akşamı PiST'te gerçekleştirildi. Bir yıl sonra aynı ekip gerçekleştirdikleri bu performansın bir dökümünü hazırladıkları 'limited edition' DVD ve kitapçıkta gölge, mahalle ve oyun alt başlıklarıyla paylaşıma açıyor.

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Anamnesis is an object creation and performance project initially created by Maya Ersan in 2008. The project became more expansive with the participation of Kadir Yardımcı, Ahmet Doğu İpek, Senem Sinem and Alev Ersan. The group created a collaborative and creative environment, which serves as a ground for creating projects that contemplate the possible connotations of anamnesis and further contemplate the meaning and function of memory. The first production of anamnesis took the form of a one night shadow play, performed at PiST, on September 24th, 2008. Anamnesis 2 is in the form of a mini-book and DVD, it presents the shadow play, revisited and framed by the subtitles: shadow, neighbourhood and play.

]]> http://www.cagdassanat.com/2009/09/anamnesis-2/feed/ 0 http://pist-org.blogspot.com/2009_09_01_archive.html#6993901871444602242 http://pist-org.blogspot.com/2009_09_01_archive.html#6993901871444602242#comments Thu, 03 Sep 2009 06:54:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-6993901871444602242

İstanbul'un Sanat Listesi: LiST, 11. Uluslararası İstanbul Bienal'i süresince İstanbul'da gerçekleşecek güncel sanat etkinliklerini yenilenen harita ve içeriğiyle en kapsamlı şekilde duyurmaya devam ediyor. Bienal Özel sayısıyla tirajını 60.000'e çıkartan LiST, İstanbul ve Türkiye genelinde ücretsiz dağıtılıyor.

LiST 10'u ayrıca pdf olarak da indirebilirsiniz.
http://www.istanbulartlist.net/

During the 11th International Istanbul Biennial, LiST: Istanbul's Art Listing continues to list the contemporary art events of the city with its newly designed map and updated content. The Biennial Special issue of LiST has a circulation of 60.000 and its on free distribution in/around Istanbul and Turkey.

You can also download LiST 10's pdf version from the link below.
http://www.istanbulartlist.net/

]]> http://www.cagdassanat.com/2009/09/list-10-bienal-ozel-list-10-biennial-special/feed/ 0 http://pist-org.blogspot.com/2009_07_01_archive.html#4932526572532721890 http://pist-org.blogspot.com/2009_07_01_archive.html#4932526572532721890#comments Wed, 01 Jul 2009 14:39:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-4932526572532721890
























TRANSIT 2
Didem Özbek, Osman Bozkurt, Danilo Correale
Curated by Adriana Rispoli, Eugenio Viola, Pelin Uran
01.07.2009-30.08.2009

MADRE Museum
Via Settembrini 79
80139 Napoli


Didem Özbek ve Osman Bozkurt’un İtalyan sanatçı Danilo Correale‘yle ortaklaşa gerçekleştirecekleri Transits projesi Pelin Uran’ın kuratörlüğünde 1 Temmuz – 31 Ağustos 2009 tarihleri arasında Napoli Madre Müzesi’nde ve Eylül 2009’dan itibaren de İstanbul’da PiST/// Disiplinlerarası Proje Alanı’nda izleyiciyle buluşuyor.

TRANSITS projesi Italya’nın Madre Müzesi’ni temsilen Adriana Rispoli ve Eugenio Viola’nın girişimiyle Napoli’nin karakteristik özelliklerini paylaştığı düşünülen Beyrut, Kahire, Tel Aviv, İstanbul ve Atina ile ilişki kurmak üzere gelişti. Serginin İstanbul ayağında Didem Özbek ve Osman Bozkurt, 150 yıl önce Grand rue Pancaldi olarak adlandırılan günümüz Cumhuriyet ve Halaskargazi Caddeleri’nin bugün unutulma noktasına gelmiş İtalyan geçmişinden yola çıkarak video, enstalasyon ve basılı malzemeden oluşan 3 aşamalı bir proje geliştirdiler. Napoli adlı video Osmanbey’de 50 yıl önce bir İtalyan tarafından açılmış aynı isimli bir bakkal dükkanındaki günlük hayata odaklanırken, 40 kadar fotoğraftan oluşan enstalasyon Osmanlı İmparatorluğu döneminde İstanbul’a göç etmiş olan İstanbul İtalyan İşçi ve Yardımlaşma Derneği (Societá Operaia Italiana di Mutuo Soccorso in Costantinopoli) üyesi göçmenler ve bugün farklı Avrupa ülkelerine göçmeye çalışan dünyanın dört bir yanından insanlar üzerine bir çalışma. Sergi süresince müze biletiyle beraber dağıtılacak piyango biletleriyse sergiyi Napoli’de izleyen 1 talihli izleyicinin 1 haftalık ‘rüya gibi’ İstanbul seyahati kazanmasını sağlayacak.

Özbek ve Bozkurt’la beraber işleri sergilenecek İtalyan sanatçı Danilo Correale ise Osmanlı İmparatorluğu döneminden beri azınlık zanaatkarların çalışma alanı olan el yapımı zilleri araştırması sonucunda sadece İstanbul markalı zilleri kullanarak hazırladığı müzik performansı ile sergiye katılacak.

Pelin Uran'ın sergi için yazdığı İngilizce metin aşağıda;

FLASHBACKS OF A FOOL by Pelin Uran

Is it possible to grasp the perspective of the present by archeologically excavating the movement of the immigrant? What potentials can this perspective carry? What significance can Istanbul’s Italian community have in a socio-political context? What causes amnesia in relation to the recent past? And how can this amnesia be overcome? These are the questions pondered by Osman Bozkurt and Didem Ozbek’s project Flashbacks of a Fool.

As a city, Istanbul fielded great waves of immigration during the Ottoman Empire thanks to the Terms of Surrender enacted in1867 which granted Europeans the right to buy and sell property. Therefore, any European citizen was free to live and work on Ottoman land. At the command of the Sultan, European migrants were given permission to settle around the Pangalti district of Istanbul. At the beginning of the 20th century, ninety percent of the population of the district used to be European and non-Muslim. Today, the number has dropped to just a few Levantine families.

Flashbacks of a Fool reflects on the presence of the Italian community around the Pangalti district during the Ottoman Empire. Excavating the region, as much as allowing themselves to chance upon situations, gave an opportunity to the artists to tap into buried layers of history, both personal and collective: and they were confronted with imprints of the minority community such as schools, cemeteries, food stores, workers’ associations etc. mainly hidden behind walls.

In terms of content, Flashbacks of a Fool consists of a three-video installation, a visual installation, a slide projection and printed material. The three-video installation Napoli takes place at a grocery store in Pangalti, which was opened by an Italian in the 1950s and subsequently turned over to Turkish owners under the same name. Even though the name of the store inspired their interest, Napoli is not about the store’s history but its contemporary incarnation and the daily interactions of consumers with the owners. The subject matter of their daily conversation varies from politics to sports and from economics to popular culture. Moreover, the conspicuous absence of the store’s Italian past within the dialogues is a sign of the amnesia of the shop owners in particular, as well as signalling the amnesia of the neighborhood of its European past in general.

Flashback/Flashforward is a slide projection composed of 40 portraits of the immigrant members of Societá Operaia Italiana di Mutuo Soccorso in Istanbul. Societá Operaia Italiana di Mutuo Soccorso was founded in 1863 by Italian immigrants living in Istanbul. Based on their archive, there were approximately 30.000 Italian workers registered at the association, one being the famous Giuseppe Garibaldi in the 19th century. By now, the number of members has dropped to forty. The work brings together a selection of archival portraits of these Italian immigrants.

Breaking the Waves is an installation composed of a single image of a boat full of people roaming during the night. This image is projected on a basin filled with water and the audience sees this looped nocturnal scene reflected on the water. It is taken from Euronews and shows the illegal immigrants just before they got caught at Lampedusa, Italy in 2008. Breaking the Waves immediately recalls Theodore Gericault’s painting The Raft of Medusa (1818-1819) in which people who escaped from a shipwreck on the West African coast are depicted on a raft on the brink of starvation and exasperation. Yet the piece works like a snapshot in the audience’s mind and serves to link the immigrant question to today.

Un viaggio da sogno is a humorous printed project which brings to mind a regular lottery. The work, which will be distributed to the audience with their entrance ticket, consists of two parts: one part will work as a give-away art piece which the audience will be able to keep, while the other half will work as a lottery ticket to be collected by the museum staff in a box designed for this purpose until the end of the exhibition. After the duration of the show, just like the idea of a lottery, the museum staff will select one of the tickets and the lucky audience member will win a trip to Istanbul when the exhibition travels to Istanbul. The work refers to the marketing strategy of shopping malls. Organizing a lottery, which usually promises the lucky consumer a free trip to European countries, serves to increase their sales. Un viaggio da Sogno applies this marketing strategy to a lucky museumgoer, promising a trip to Istanbul.

According to Homi Bhabha, the renowned post-colonial theorist, it is to the city that emigrants, minorities, the diaspora come to change the history of a nation. Therefore, by concentrating on a small district, the artists implicitly make the presence of the Italian community visible within the Ottoman Empire. Believing that self-knowledge is important in understanding the Other, Flashbacks of a Fool reflects both on the forgotten history of Italian community and also stands as a reminder of the Italian’s immigrant past in this case in Istanbul. Even though Osman Bozkurt and Didem Ozbek’s excavation is confined to a small district, the project aims to take it to a larger perspective and link the past to the present.

]]> http://www.cagdassanat.com/2009/07/transit-2/feed/ 0 http://pist-org.blogspot.com/2009_05_01_archive.html#2618607967599758396 http://pist-org.blogspot.com/2009_05_01_archive.html#2618607967599758396#comments Tue, 12 May 2009 09:23:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-2618607967599758396


















Mayıs - Haziran 2009 dönemi boyunca İstanbul'da gerçekleşecek güncel sanat sergi etkinliklerini listeleyen LiST 09 çıktı! 40.000 adet basılan LiST 09, İstanbul ve Türkiye genelinde ücretsiz dağıtılıyor. LiST 09'u pdf olarak aşağıdaki adresten de indirebilirsiniz.

http://www.istanbulartlist.net/Download___indir.html

LiST 09, listing Istanbul's contemporary art exhibitions on May - June 2009 is out now. 40.000 copies of LiST 09 is on free distribution in/around Istanbul and Turkey. You can also download LiST 09's pdf version from the link below.

http://www.istanbulartlist.net/Download___indir.html

]]> http://www.cagdassanat.com/2009/05/list-09-cikti-list-09-is-out/feed/ 0 http://pist-org.blogspot.com/2009_03_01_archive.html#2222363355114494335 http://pist-org.blogspot.com/2009_03_01_archive.html#2222363355114494335#comments Tue, 24 Mar 2009 09:23:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-2222363355114494335
























Please scroll down for the English text

Oreet Ashery
Sabetay Sevi ve Diğer Egolar / Shabbtai Zvi and Other Alter Egos
Sanatçı Konuşması / Artist Talk
01.04.09 Çarşamba / Wednesday
18:30 / 6.30 pm

http://www.oreetashery.net/

PiST///
Dolapdere Caddesi
Pangaltı Dere Sokak
No 8 A/B/C
Pangaltı 34375
İstanbul TR

pist@pist.org.tr

Londra’da yaşayan sanatçı Oreet Ashery 1 Nisan 2009, Çarşamba günü saat 18:30’da PiST’te çalışmalarıyla ilgili bir konuşma gerçekleştirecek. 27 Mart-7 Nisan tarihleri arasında projeleriyle ilgili araştırma yapmak için İstanbul’da bulunacak ve PiST’in ilk misafir sanatçısı olacak.

Oreet Ashery, farklı medyumlar aracılığıyla interaktif ve performatif sanat etkinlikleri düzenleyen, video, 2 boyutlu isler ureten, obje, metin ve interneti kullanarak çalışan bir sanatçı. Ashery uzun zamandır Musevilik, ırk, cinsiyet ve Arap/Müslüman dünyası üzerine işler üretiyor. İşlerinde sıklıkla farklı karakterlere bürünüyor. Bunlardan bazıları tavşan, siyah adam, Norveçli postacı, şişman çiftçi ve Arap adam karakterleri.

Son olarak Ashery 17. yüzyılda yaşamış Sahte Mesih Sabetay Sevi’yi de performanslarında yeni bir karakter olarak kullanmaya başladı. Oreet Ashery'nin Sabetay Sevi ve Diğer Egolar* başlıklı konuşması için 1 Nisan, Çarşamba günü saat 18:30’da hepinizi PiST’e bekliyoruz!

*Konuşma İngilizce olacaktır.

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London based artist Oreet Ashery will give a talk* about her work at PiST on April 1st, 2009, Wednesday at 6.30 pm. Ashery is the first artist-in residence at PiST who will stay in Istanbul for her project research.

Ashery is a context- responsive visual artist working across mediums in interactive performance art events, video, 2-D image making, objects, text and the internet. Ashery’s practice looks at personal politics and its complex relationship to social and political realities, notions of identity and subjectivity, and at the nature of what an art practice might be.
Ashery has an ongoing interest in the intersections between Jewishness, race, gender and the Arab and Muslim world. The project Welcome Home that started in 2004 is an investigation into the Palestinian Right to Return and other projects within an anti-Occupation remit.
Frequently Ashery will produce work as a character. Her characters include a rabbit, a black man, a Norwegian postman, a fat farmer and an Arab man, among others. Marcus Fisher, an orthodox Jewish man is Ashery’s most consistent character. Recently Ashery developed a new character based on the controversial 17th century false messiah Shabbtai Zvi. Throughout his life Shabbtai conducted a series of ‘Strange Acts’ akin to much performance work, like walking with a fish dressed in baby clothes in a pram, he converted from Judaism to Islam later on in life.

Ashery's work has been shown extensively in the UK and internationally in museums, galleries, cinemas, biennials, festivals and site-specific locations. Most recently at the: ZKM | Tate Modern, Akademie der Künste, Berlin, Brooklyn Museum, Pompidou Centre, Liverpool Biennial, EDS Gallery, Mexico City, Freud museum, OK Centre for Contemporary Art, Linz.

Ashery's work has been published and discussed in numerous books, academic and art publications in many languages including: Bidoun, Frieze, Art Monthly, Art Forum, Contemporary, Time Out, the Village Voice, Circa, Flash Art, Dazed & Confused, Map, Heeb, Sleezenation among others. And in books including Art Tomorrow, Art in the Age of Terrorism, Blasphemy and Biographies and Space.

The book Dancing with Men, charting ten years of interactive performance work, published by the Live Art Development Agency and the collaborative graphic novel, the Novel of Nonel and Vovel with the artist Larissa Sansour, published by Charta, will be available in Spring 2009.

Ashery has been given public talks about her works at the ICA, Whitechapel, Gallery, Tate Modern, Royal Academy, Goldsmith College, Chelsea College, to mention a few.

Ashery has been engaged with educational work for years, including public art projects and community based projects, as well as teaching in academic contexts. Ashery currently holds a creative fellowship in Queen Mary University Drama department.

We look forward to seeing you at PiST on Oreet Ashery's talk about Shabbtai Zvi and Other Alter Egos. On April 1st, 2009, Wednesday at 6.30 pm.

*The talk will be in English.

]]> http://www.cagdassanat.com/2009/03/01-04-09-oreet-ashery/feed/ 0 http://pist-org.blogspot.com/2009_03_01_archive.html#1088109091678574352 http://pist-org.blogspot.com/2009_03_01_archive.html#1088109091678574352#comments Sat, 07 Mar 2009 17:12:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-1088109091678574352


















Please scroll down for the English text

Bettina Lockemann
Ülkeleri Keşfetmek / Exploring Territories
Sanatçı Konuşması / Artist Talk
13.03.09 Cuma / Friday
18:30 / 6.30 pm

http://www.archivalien.de/

PiST///
Dolapdere Caddesi
Pangaltı Dere Sokak
No 8 A/B/C
Pangaltı 34375
İstanbul TR

pist@pist.org.tr

Kavramsal-belgesel fotoğraf işleri üreten Alman sanatçı Bettina Lockemann Kunststifung NRW (Northrine-Westphalia Sanat Vakfı) tarafindan desteklenen son projesini gerçekleştirmek için bugünlerde Türkiye'de çalışıyor. Bu çalışmasını İstanbul'un kentsel yapılanması, Avrupa ile Asya arasında konumlandığı coğrafi sınır ve Türkiye'nin geleceğini bir Avrupa ülkesi olarak şekillendiren Atatürk'un Ankara'yı başkent olarak seçmesi üzerine oluşturuyor. Lockemann Avrupa'nın yanı başında yer alan Türkiye'yi ne tam Avrupalı ne de tam zıttı olarak gören anlayışın bağlantı ve ayrılıklarını oluşturan bir söylemi bir araya toparlamayı amaçlıyor. Bunu gerçekleştirirken bireylerin Avrupalı kimliğine de sorular yöneltiyor.

Lockemann 13 Mart 2009 Cuma günü saat 18:30'da PiST'te hem Türkiye'de gerçekleştirmekte olduğu son projesi üzerine hem de 2006-2008 süresince Japonya'daki Avrupa etkisi ve Brüksel'deki Avrupa Parlementosu içerisinde gerçekleştirdiği iki yeni projesi üzerine de konuşacak. 13 Mart Cuma günü sizi de PiST'e bekliyoruz!

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German artist Bettina Lockemann is working in the field of conceptual documentary photography. Currently she is working on a project in Turkey funded by the Kunststiftung NRW (Art Foundation Northrhine-Westphalia). Her work in Turkey is conceived in the urban settings of Istanbul, situated at the geographical border between Europe and Asia and Ankara, being the capital chosen by Atatürk who was working on Turkey's future as a European country. Lockemann is searching for threads of connection and disjunction within the discourse of Turkey being situated at the European frontier neither being fully European nor the contrary Other, therefore also posing questions towards European identities themselves. In her latest works she is exploring cultural and institutional territories in search of Europe and its Other.

On March 13th, 2009 Lockemann will give an artist talk on not only about her recent project in Turkey but also about two other projects she has realized in 2006-2008 one about the European influences in Japan and the other on her approach to the interior of the European Parliament in Brussels. We look forward to see you at PiST on March 13th!

]]> http://www.cagdassanat.com/2009/03/13-03-09-bettina-lockemann/feed/ 0 http://pist-org.blogspot.com/2009_03_01_archive.html#318499422759899713 http://pist-org.blogspot.com/2009_03_01_archive.html#318499422759899713#comments Thu, 05 Mar 2009 12:12:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-318499422759899713


















IS THERE SUCH A THING AS AN EMBEDDED CURATOR?

Saturday 7 MAR: CONTEXTS
4:00 pm
Rotterdam Dialogues Symposium: The Curators
Witte de With

Panel discussion

In contrast to the hyper-internationality of some curators - which has led to the label 'airport curator' - others choose to immerse themselves in a specific territory or local context, and work extensively within this framework. Does this 'embedded curating' open up possibilities that might not find a place in other models of curating, for example the sharing of knowledge and expertise, and the provision of service to others?

Didem Ozbek & Osman Bozkurt, artists, independent curators, PiST, Istanbul; Lesley Young & James Hutchinson, independent curators, The Salford Restoration Office, Salford, Anke Bangma (moderator), independent curator and writer Rotterdam


Witte de With presents a program of three symposia, titled Rotterdam Dialogues: Critics, Curators, Artists. Structured to establish a lively platform for debate and exchange, they create space for a range of voices, and explore the practice of three of the central protagonists of the contemporary art world: the critic, the curator and the artist. Critics were the subject of the first symposium, held last October. This highly successful event is now followed by The Curators on 5, 6, 7 March 2009. The series will conclude with The Artists later this year. A publication will follow, bringing together elements of each symposium. Speakers The practice of curating is much discussed within the art world, but often neglected by the media and thus remains largely invisible to the broader public. With our selection of speakers, we aim to put a wide range of faces to the often elusive and contested title of "curator". The speakers are: Jamila Adeli, Anke Bangma, Bart De Baere, Carolyn Christov-Bakargiev, Pablo León de la Barra, Ute Meta Bauer, Lorenzo Benedetti, Iwona Blazwick, Nicolas Bourriaud, Sabine Breitwieser, Adam Budak, Ann Demeester, Barnaby Drabble, Mai Abu ElDahab, Zoran Erić, Bruce Ferguson, Juan Gaitan, Hou Hanru, Jan Hoet, Jens Hoffmann, Manray Hsu, Renske Janssen, Stefan Kalmár, Xenia Kalpaktsoglou, Emmanuel Lambion, Enrico Lunghi, Raimundas Malasauskas, Gerardo Mosquera, Sophie von Olfers, Paul O'Neill, Livia Páldi, Philippe Pirotte, PiST, Irit Rogoff, Beatrix Ruf, The Salford Restoration Office, Brigitte van der Sande, Kitty Scott, Seth Siegelaub, Saskia van Stein, Adam Szymczyk, Andrea Viliani, Rein Wolfs, and What, how and for whom. Topics The full program is available to download from http://www.wdw.nl. Each day has an overarching theme, subdivided into more precise questions: Thursday – Expectations, looking at the personal expectations of individual curators, of audiences and of artists, and how these expectations might influence curatorial practice. Friday – Positions, focusing on the importance of building a reputation, the power of curators to shape the canon, and the influence of the market on the profession. Saturday – Contexts, exploring the conditions and ideas underlying curating, and the increasingly international practice of exhibition making. Rotterdam Dialogues: Critics, Curators, Artists is conceived by Zoë Gray, Nicolaus Schafhausen and Ariadne Urlus.

]]> http://www.cagdassanat.com/2009/03/rotterdam-dialogues-the-curators-symposium/feed/ 0 http://pist-org.blogspot.com/2009_03_01_archive.html#6453735366734404916 http://pist-org.blogspot.com/2009_03_01_archive.html#6453735366734404916#comments Tue, 03 Mar 2009 23:09:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-6453735366734404916


















Mart - Nisan 2009 dönemi boyunca İstanbul'da gerçekleşecek güncel sanat sergi etkinliklerini listeleyen LiST 08 çıktı! 40.000 adet basılan LiST 08, İstanbul ve Türkiye genelinde ücretsiz dağıtılıyor. LiST 08'i pdf olarak aşağıdaki adresten de indirebilirsiniz.

http://www.istanbulartlist.net/Download___indir.html

LiST 08, listing Istanbul's contemporary art exhibitions on March-April 2009 is out now. 40.000 copies of LiST 08 is on free distribution in/around Istanbul and Turkey. You can also download LiST 08's pdf version from the link below.

http://www.istanbulartlist.net/Download___indir.html

]]> http://www.cagdassanat.com/2009/03/list-08-cikti-list-08-is-out/feed/ 0 http://pist-org.blogspot.com/2009_02_01_archive.html#2458794120010252071 http://pist-org.blogspot.com/2009_02_01_archive.html#2458794120010252071#comments Mon, 09 Feb 2009 15:36:00 +0000 PiST/// Interdisciplinary Project Space tag:blogger.com,1999:blog-23357824.post-2458794120010252071



















S.T.ARGEM. Sokak Toplayıcıları Araştırma ve Geliştirme Merkezi
S.T.ARGEM. Street Collectors Research and Development Center
28.01.2009 - 01.03.2009
Çar - Cts / Wed - Sat
15:00 - 19:00 / 3 pm - 7 pm
PiST/// 1

www.pist.org.tr
pist@pist.org.tr


S.T.ARGEM. Atölye Çalışması:
Geri Dönüşümde Hümanizmin ve Çevreciliğin Eleştirisi: Konumuz İnsan mı, Çöp mü?
Çözümün bir parçası değil, sorunun bir parçası olmak istiyoruz!
11.02.09 Çarşamba
12.02.09 Perşembe
13.02.09 Cuma
14.02.09 Cumartesi
15:00 - 18:00 / 3 pm - 6 pm
PiST/// 2-3

S.T.ARGEM. Video Gösterim ve Tartışma:
Kağıtçılar / Karahaber 70' (2001-2006)
11.02.09 Çarşamba
18:00 - 20:00 / 6 pm - 8 pm
PiST/// 2-3

Sanatçılar Burak Delier, Güneş Terkol ve sosyolog Eylem Akçay’ın girişimiyle başlayan 'S.T.ARGEM. Sokak Toplayıcıları Araştırma Geliştirme Merkezi' 28 Ocak-1 Mart 2009 tarihleri arasında projelerine PiST///1'de devam ediyor.

S.T.ARGEM. 11-14 Şubat 2009 tarihleri arasında PiST/// 2-3'te herkesin katılımına açık 4 günlük bir atölye çalışması gerçekleştirecek. Geri Dönüşümde Hümanizmin ve Çevreciliğin Eleştirisi: Konumuz İnsan mı, Çöp mü? ana başlıklı bu atölye çalışmasının ilk günü akşamında ayrıca Ankaralı video-eylem atölyesi Karahaber'in Kağıtçılar isimli video çalışması gösterilecek ve devamında izleyicilerin katılacağı bir tartışma da gerçekleşecek.

S.T.ARGEM. atölye çalışmasında:

- Neoliberal politikaların kuruluşunda gündelik ve yerel pratiklerin rolü
- “Kirleten öder” çevreci ilkesi ile “yerinde ayrıştırma” tekniğinin eleştirisi
- Geri dönüştürülebilir atığın “metalaşması”
- Ve kentsel geri dönüşüm politikalarının alternatifleri başlıklarında tartışmalar ve çalışmalar yapılacak.

S.T.ARGEM. bu tartışma başlıklarını atölye çalışması için birer öneri olarak belirledi. Elbette atölye boyunca katılımcılar başlıkları değiştirebilecek ya da başka başlıklar ekleyebilecek. Ancak bu atölye çalışmasında, geri dönüşüm konusunda halihazırda sorulmuş sorulara nasıl yanıtlar verilebileceğinden çok, soruları ve sorulma koşullarını tartışmak hedefleniyor. Mesela S.T.ARGEM. “yerinde ayrıştırma” konusunda 'Kentlilerin nasıl alıştırılacağını?' değil, bu tekniğin 'Neoliberal politikaların kuruluşundaki yerini' tartışmak istiyor.

Bu tartışma ve çalışmalarda sadece neoliberal politikalara kaynak olan ve meşruiyet sağlayan sorun tariflerinin ve bilimsel yaklaşımların içeriklerine yönelik düşünsel bir eleştiri yöneltilmeyecek; bu tarif ve yaklaşımların iş gördüğü pratikler matrisinde kendi yerimizi bulmaya ve değiştirmeye çalışılacak. S.T.ARGEM.'in niyeti çözümün değil, sorunun bir parçası olmak.

Dileyen herkesin katılımına açık bu atölye çalışması 4 gün sürecek, Türkçe gerçekleşecek ve gündemini şöyle belirleyecek:

- Yukarıdaki başlıkları içeren bir sunum ve tartışma
- Katılımcıların bileşimine göre yapılacak işlerin tespit edilmesi
- Atölyenin sonunda olası ortak üretim için fikirlerin tartışılması

S.T.ARGEM. atölyesinin ilk günü (11.02.09, Çarşamba saat 18:00-20:00) Ankaralı video-eylem atölyesi Karahaber'in Kağıtçılar isimli video çalışmasının gösterimiyle devam edecek. 2001-2006 yılları arasında, Ankara'da birçok farklı bölgede kağıtçıların yaşadıklarını anlatmaya çalışan bu video, kameranın süreç içinde değişen farklı bakış açılarıyla ilgi çekiyor. Profesyonellikten hayli uzak bir tarzda, kameranın kağıtçılar dahil 13 farklı kişi tarafından kullanıldığı bu videoda, izleyici kameranın gel-gitleri sayesinde giderek kamerayı kullananların bakış açısından çıkarak olan bitene dair içeriden bir bakışı deneyimleme fırsatı ediniyor. Televizyonda sıklıkla gördüğümüz polis barikatı arkasından gecekonducuları, yoksulları, eylemcileri, kağıtcıları vb. gösteren 'kamera-gözün' tersine bu sefer kağıtçılar ve gecekondu sahipleri polis barikatına karşı kamerayı kayda geçiriyor.

Kağıtçılar gösterimi izleyicilerin katılacağı bir tartışma ile devam edecek. S.T.ARGEM. atölye çalışması ve Kağıtçılar video gösterimi için hepinizi PiST'e bekliyoruz!

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