Cemile Kaptan


4
Feb 07

the visit, 16.11.2003


“the visit 16.11.2003”, video-art, 5’26”

The last piece of three videos which seem to create a whole…

The meditative and melancholic mood which started with “Cipram 20mg” (2002); moved to “Mourning”(2003) with the feelings of death, loneliness and especially longing.

In both of these videos, the images seem to repeat themselves, and the work needs a specific attention as a whole. There is a stable shot, a stable color in both of them.

Just like a moving photograph…

“Cipram 20mg” is grey; “Mourning”is red…
There is a fairy tale that has to be listened in “Cipram”; and a letter that has to be read in “Mourning”…
“The Visit”, as a continuation of these two videos, is again about the ‘loss’ and the ‘death’…

This time the color is white …

Again, a stable shot and a movement on its own…
And in this movement, photos which have to be seen…
The photos of the one I have lost… The photos of my father…

This video was shot on his first birthday without him , on November 16th 2003…

4
Feb 07

mourning

"mourning", 2003, video-art, 4'45",
"The Sphinx Will Devour You" Exhibition, Karsi Art Works, 2003

i have written a letter to him.
i couldn’t guess where and how he shall be listening.

so I created a world for him.
and there I added the sound of his breath...

here are my words that you read among the red bubles:


where are you
is it dark
is it cold
is it that
silent
were you afraid
while going…

have you heard
me
have you felt

where are you
do you see
do you watch
always

do you love
still…

4
Feb 07

cipram 20mg

"cipram 20mg", 2002, video-art, 4'52",
Borusan Culture and Art Center, "New Suggestions/New Propositions 9" Exhibition, Istanbul;
Diyarbakir Art Center “In Image We Trust 2”, Diyarbakır-Turkey

The most important aspect of this project is that it has details that need to be solved by the spectator...
It is made of pieces that are deliberately left blurred or hidden. And only a very attentive watcher can notice these little but important details.
Above all, Cipram[*], is the name of an antidepressant medicine... But this, is going to remain meaningless for the ones who don’t know or use these pills.

The main intent of this project is to create the feeling of a stress, a depression; and to make this depression immortal.
To document an insistant cycle...

The image was shot when I literally had my stress balls in my hands, when somebody was literally reading my future, and when I was literally sitting near a patient. The work has created itself...

I only wanted the image to be in black&white, so that it would be as plain as it could.
To be able to prevent all the throng...

While mounting, I deliberately wanted the movements to be slow and soft.
I wanted only the ones who really pay attention to be able to see, that there is somebody who passes through under my thumb, whom I love, caress and touch...
I wanted the spectator to be forced to find the details...

It is the same with the sounds and words...
With the eternal and continuous cycle of the balls, the words also create a cycle, a repetition, again understood only with careful attention.
I wanted the story to break into pieces, to be repeated, to create an eternal and meaningless fairy tale; instead of following a logical order... A fairy which is too utopic and surrealist for the present stress...

This work is completely an expression of personal depression. But I believe that leaving the personal aspects to the interest and attention of the spectator, makes the image become a ‘document of stress’ for everyone who sees it. Also maybe by reflecting some of this stress to the viewer...
[*] LUNDBECK Medicine Ltd. Comp.


"...Cemile Kaptan'ın Cipram 20 mg başlıklı video çalışması, yine kişisel boyutuyla dikkat çeken bir iş; oldukça resimsel bir etki uyandıran bu videonun işe adını veren antidepresan türü ilaçlar gibi sakinleştirici, neredeyse meditatif bir etkisi var - aynı süreçte belli belirsiz duyduğumuz sözcükler de anlamını yitiriyor (bir kahve falının uçup giden sözleri bunlar), izleyici, şimdi ile gelecek arasında, gerçek ile olasılıklar arasında sonsuz bir döngüyü izliyor..." Ahu Antmen, 2003

4
Feb 07

BOM

"BOM", Cemile Kaptan, Ata Öztürk, Murat Çalışkan, 2003, video-art, 8',
The Association of Painting and Sculpture Museums,
22nd Exhibition of Today’s Artists Exhibition, AKSANAT, Istanbul

A rocket appears on the seashore.
It walks on the streets, looking for an adress.
It finds the adress, rings the bell, enters,
spends an ordinary day and explodes.

BOM: Is our place in the fiction.
BOM: Is a formatted end to the formatted lives.
BOM: Is the end of our sublime being.
BOM: Is the end point of the civil life.
BOM: Is the reference to the silent and unknown traffic of the death.
BOM: Is the appraisal of the real God.
BOM: Is the materialized destiny.

4
Feb 07

beloved

"beloved I", 2001, video-art, 7'22",
The Association of Painting and Sculpture Museums, 21st Exhibition of Today’s Artists
“In Image We Trust”, AKM Exhibition Hall, Istanbul;
Diyarbakır Art Center “In Image We Trust 2”, Diyarbakir


could I be born more "female" than another?
or how "female" would another life, another world, would make me?

4
Feb 07

inside

"inside", 2000, installation, typesetting drawer and eggs, 50x70 cm